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The Art of Max’s: Rosalyn Drexler

The Art of Max’s: Rosalyn Drexler

“I cannot just do nothing,” said Rosalyn Drexler. At 90 years old, the acclaimed artist, novelist, and playwright is as busy as ever, having just opened a show at Garth Greenan in New York, her second since joining the Chelsea gallery in 2015.

It was there that she spoke to artnet News about the exhibition, which features darkly political large-scale works from 1986 to 1989; finding renewed success late in life; and the endurance of a career that has seen her excel at everything from teaching at the renowned Iowa Writers’ Workshop to authoring Emmy and Obie award-winning scripts and plays to touring the country as a professional wrestler.

“It was a rich life,” Drexler admitted, recalling fondly the New York art scene of the 1960s, which she describes as “a smaller community” where folks such as Franz Kline, and Elaine and Willem de Kooning would all attend each other’s openings and gather at watering holes such as the Cedar Bar and Max’s Kansas City.

“I surrounded myself with artists, and it must have rubbed off,” she said.

Learn more about Rosalyn Drexler at artnet

“Rosalyn Drexler: Occupational Hazard” is on view at Garth Greenan, 545 West 20th Street through October 21, 2017.

Hello and Goodbye (Art History: Warhol and Basquiat), 1988